TyRUBEN ELLINGSON
Senior Director of Narrative Media Group
Director of Cinema Program
Co-chair, Associate Professor, Department of Communication Arts
School of the Arts, Virginia Commonwealth University
Richmond, Virginia
CONTACT
[email protected]
415.408.8167 Mobile
UNIVERSITY
[email protected]
415.408.8167 Mobile
Senior Director of Narrative Media Group
Director of Cinema Program
Co-chair, Associate Professor, Department of Communication Arts
School of the Arts, Virginia Commonwealth University
Richmond, Virginia
CONTACT
[email protected]
415.408.8167 Mobile
UNIVERSITY
[email protected]
415.408.8167 Mobile
EDUCATION
1988
Master of Fine Art, Painting
Southern Methodist University, Dallas, Texas
1982
Master of Art, Painting
St. Cloud State University, St. Cloud, Minnesota
1981
Bachelor of Elective Studies, Major: Art
St. Cloud State University, St. Cloud, Minnesota
Master of Fine Art, Painting
Southern Methodist University, Dallas, Texas
1982
Master of Art, Painting
St. Cloud State University, St. Cloud, Minnesota
1981
Bachelor of Elective Studies, Major: Art
St. Cloud State University, St. Cloud, Minnesota
PROFESSIONAL/ WORK EXPERIENCE
1995 - Present
Alien Insect, Richmond, VA
Freelance Conceptual Designer/Visual Consultant for feature films and video games
1997 - 2000
Combustion Studios, Novato, CA
Co-founder/ Creative Director: Design and project development of proprietary location-based entertainment venture
1989 - 1995
Industrial Light and Magic, a division of Lucasfilm, San Rafael, CA
Senior Visual Effects Art Director: Provided conceptual design and aesthetic guidance for visual effects
1988 - 1989
Skywalker Development Company, a division of Lucasfilm, Larkspur, CA
Director of Design: Produced concept designs and illustrations for entertainment-centered real estate development packages
1988
E-Systems, Garland, TX
Model Shop Manager: Established, operated, and supervised the model-building shop, which produced a range of design aids and detailed display models used for inter-company and trade show usage
1984 - 1988
Hudson-Harrell Scale Models, Dallas, TX
Shop Supervisor: Constructed detailed architectural and industrial models
1983
RTKL Associates, Architects, Dallas, TX
Produced scale models for use as design aids and project marketing
ACADEMIC APPOINTMENTS
2013
Virginia Commonwealth University, Richmond, VA
Assistant Professor, Communication Arts, School of the Arts
Alien Insect, Richmond, VA
Freelance Conceptual Designer/Visual Consultant for feature films and video games
1997 - 2000
Combustion Studios, Novato, CA
Co-founder/ Creative Director: Design and project development of proprietary location-based entertainment venture
1989 - 1995
Industrial Light and Magic, a division of Lucasfilm, San Rafael, CA
Senior Visual Effects Art Director: Provided conceptual design and aesthetic guidance for visual effects
1988 - 1989
Skywalker Development Company, a division of Lucasfilm, Larkspur, CA
Director of Design: Produced concept designs and illustrations for entertainment-centered real estate development packages
1988
E-Systems, Garland, TX
Model Shop Manager: Established, operated, and supervised the model-building shop, which produced a range of design aids and detailed display models used for inter-company and trade show usage
1984 - 1988
Hudson-Harrell Scale Models, Dallas, TX
Shop Supervisor: Constructed detailed architectural and industrial models
1983
RTKL Associates, Architects, Dallas, TX
Produced scale models for use as design aids and project marketing
ACADEMIC APPOINTMENTS
2013
Virginia Commonwealth University, Richmond, VA
Assistant Professor, Communication Arts, School of the Arts
CONTINUING SCHOLARSHIP AND PROFESSIONAL GROWTH
SPECIAL AWARDS, HONORS
The Art Directors Guild Local 800 IATSE is a local union of the International Alliance of Theatrical and Stage Employees (IATSE). The "IA" (as it is commonly known) exclusively represents employees in the entertainment industry, spanning the United States and Canada with more than 104,000 members. The Art Directors Guild (ADG) is comprised of Art Directors, Graphic Artists, Illustrators, Matte Artists, Model Makers, Production Designers, Scenic Artists, Set Designers, and Title Artists.
I have been a member in good standing of ADG Local 800 IATSE since 2006.
Each year, the ADG recognizes members who have made exceptional contributions to the production of notable feature films, television programing, commercials, and music videos. These individuals are nominated and voted on by ADG members. Inside of the industries it serves, receiving recognition by the ADG is considered substantial accomplishment.
I have been a member in good standing of ADG Local 800 IATSE since 2006.
Each year, the ADG recognizes members who have made exceptional contributions to the production of notable feature films, television programing, commercials, and music videos. These individuals are nominated and voted on by ADG members. Inside of the industries it serves, receiving recognition by the ADG is considered substantial accomplishment.
2013
The Art Director’s Guild Certificate of Nomination for the ADG Award nominated project – ELYSIUM – for contribution to excellence in Production Design for a Fantasy Feature Film (International, Group) [ Scholarship: SA.001 ]
2009
The Art Director’s Guild Certificate of Appreciation for the ADG Award winning project – AVATAR – for contribution to excellence in Production Design for a Fantasy Feature Film (International, Group) [ Scholarship: SA.002 ]
AVATAR won the Oscar for Best Art Direction for 2010. Avatar’s Production Design/Art Direction team won 9 additional awards. Ellingson served as Lead Vehicle Designer on Rick Carter’s Production Design team.
1994
Finalist, International Monitor Awards, Best Electronic Special Effects Film Originated Theatrical Releases – Jurassic Park (International, Group) [ Scholarship: SA.003 ]
The Art Director’s Guild Certificate of Nomination for the ADG Award nominated project – ELYSIUM – for contribution to excellence in Production Design for a Fantasy Feature Film (International, Group) [ Scholarship: SA.001 ]
2009
The Art Director’s Guild Certificate of Appreciation for the ADG Award winning project – AVATAR – for contribution to excellence in Production Design for a Fantasy Feature Film (International, Group) [ Scholarship: SA.002 ]
AVATAR won the Oscar for Best Art Direction for 2010. Avatar’s Production Design/Art Direction team won 9 additional awards. Ellingson served as Lead Vehicle Designer on Rick Carter’s Production Design team.
1994
Finalist, International Monitor Awards, Best Electronic Special Effects Film Originated Theatrical Releases – Jurassic Park (International, Group) [ Scholarship: SA.003 ]
SIGNIFICANT CREATIVE OR SCHOLARLY ACHIEVEMENTS
PROFESSIONAL PRACTICE IN FILM AND TELEVISION
As a conceptual designer, one encounters a broad range of assignments and challenges. Responding to this reality requires a set of transferable problem-solving tools, a set of beliefs, methods, and skills that form the foundation for a personal methodology to achieve success.
The value of staying well informed on current and developing trends in (or relevant to) the ever-unfolding state of art and design while maintaining a fearlessly proactive attitude towards new technologies, cannot be overstated.
A concept designer provides a film designs informed by a larger universe or narrative (the story and setting of a film). Though a concept designer could be asked to conceive something very common place like a gas station, in a great many cases they are charged with coming up with something fantastic and beyond anything that presently or historically existed in the world.
Top concept designers interact directly with a film’s director, as opposed to an art director or production designer, and are expected to develop important design solutions in a highly collaborative fashion. In my career (post 1995), I have had the good fortune of working directly for the film’s director.
In theory, it is possible to give an individual who worked on a film any credit title they or the producer would want. However, as credits are meant to relay to an audience (or other film professionals) meaningful understanding of what a person contributed to the creation of a movie, film credits tend to be variants on a few themes.
For no reason other than the personal preferences of producers and directors, the role of concept designer is sometimes credited on screen in an alternative variant. Concept Artist, Conceptual Artist, Conceptual Designer, Visual Designer, are all slightly different names for Concept Designer.
A Creature Designer is a specialized Concept Designer, who is focused more narrowly on the conception of biological entities such as aliens or mythical creatures.
A Vehicle Designer is a specialized Concept Designer, who is focused more narrowly on the conception of technology designed to transport lifeforms from place to place or provide some other machine functionality such as construction or weaponry.
The value of staying well informed on current and developing trends in (or relevant to) the ever-unfolding state of art and design while maintaining a fearlessly proactive attitude towards new technologies, cannot be overstated.
A concept designer provides a film designs informed by a larger universe or narrative (the story and setting of a film). Though a concept designer could be asked to conceive something very common place like a gas station, in a great many cases they are charged with coming up with something fantastic and beyond anything that presently or historically existed in the world.
Top concept designers interact directly with a film’s director, as opposed to an art director or production designer, and are expected to develop important design solutions in a highly collaborative fashion. In my career (post 1995), I have had the good fortune of working directly for the film’s director.
In theory, it is possible to give an individual who worked on a film any credit title they or the producer would want. However, as credits are meant to relay to an audience (or other film professionals) meaningful understanding of what a person contributed to the creation of a movie, film credits tend to be variants on a few themes.
For no reason other than the personal preferences of producers and directors, the role of concept designer is sometimes credited on screen in an alternative variant. Concept Artist, Conceptual Artist, Conceptual Designer, Visual Designer, are all slightly different names for Concept Designer.
A Creature Designer is a specialized Concept Designer, who is focused more narrowly on the conception of biological entities such as aliens or mythical creatures.
A Vehicle Designer is a specialized Concept Designer, who is focused more narrowly on the conception of technology designed to transport lifeforms from place to place or provide some other machine functionality such as construction or weaponry.
2017
Concept Artist, ADAM, Dir Neill Blomkamp, Oats Studios (International, Group) [ Scholarship: SB.001a. SB.001b ]
2016
Conceptual Designer, (pre-production) The Gone World (production on hold), Dir. Neill Blomkamp, Twentieth Century Fox Studios (International, Group) [ Scholarship: SB.002 ]
As of this writing, this project remains viable for future production.
Conceptual Designer, (pre-production) ARC (production on hold), Dir. Steven Ilous, SMI Entertainment (International, Group) [ Scholarship: SB.003 ]
As of this writing, this project remains viable for future production.
2015
Conceptual Designer, (pre-production) Red Harvest (Alien 5) (production on hold), Dir. Neill Blomkamp, Twentieth Century Fox Studios (International, Group) [ Scholarship: SB.004a, SB.004b ]
At present, this movie is very unlikely to be made. I included it in this listing because the franchise is so highly regarded and I was specifically selected by writer/director, Neill Blomkamp, to be one of a handful of designers tasked with bringing his vision for the film to life.
Conceptual Designer, (pre-production), Tron 3 - Ascension (production on hold), Disney Studios (International, Group) [ Scholarship: SB.005 ]
At present, this movie is very unlikely to be made. I included it in this listing because the franchise is so highly regarded and I was specifically selected by production designer, Darren Gilford, to join a handful of designers tasked with bringing director, Joseph Kosinski’s vision to life.
Conceptual Designer, (uncredited-explanation below), Chappie, Dir. Neill Blomkamp, Columbia Pictures (International, Group) [ Scholarship: SB.006a, SB.006b ]
Early in the film’s preproduction phase, Director Neill Blomkamp invited me to workup some alternate designs for the Chappie and the Menacing “Moose” robot. As my role was primarily exploratory and I worked remotely for only a few weeks, I was not given onscreen credit.
2013
Conceptual Artist, Pacific Rim, Dir. Guillermo del Toro, Warner Bros (International, Group) [ Scholarship: SB.007a, SB.007b, SB.007c, SB.007d, SB.007e ]
Conceptual Designer (uncredited-explanation below), Elysium, Dir. Neill Blomkamp, TriStar Pictures (International, Group) [ Scholarship: SB.008a, SB.008b, SB.008c, SB.008d ]
Though I designed the Raven flying vehicle that appears prominently in this film and appear in the “making of” segment found on the DVD release of the movie, I was not given an onscreen credit because I was brought in late in production, worked remotely, and as such, was never part of the formal art department.
2011
Conceptual Designer, Priest, Dir. Scott C. Stewart, Screen Gems (International, Group) [ Scholarship: SB.009a, SB.009b, SB.009c ]
2010
Concept Designer, Battle Los Angeles, Dir. Jonathan Liebesman, Columbia Pictures (International, Group) [ Scholarship: SB.010a, SB.010b, SB.010c, SB.010d, SB.010e, SB.010f, SB.010g, SB.010h, SB.010i ]
2009
Vehicle Designer, Avatar, Dir. James Cameron, Twentieth Century Fox (International, Group) [ Scholarship: SB.011a, SB.011b, SB.011c, SB.011d, SB.011e, SB.011f, SB.011g, SB.011h, SB.011i ]
Concept Designer, Surrogates, Dir. Jonathan Mostow, Touchstone Pictures (International, Group) [ Scholarship: SB.012a, SB.012b ]
2008
Visual Designer, Hellboy II: The Golden Army, Dir. Guillermo del Toro, Universal Pictures (International, Group) [ Scholarship: SB.013a, SB.013b ]
2007
Executive Producer, Creature Designer, Unearthed, Dir. Matt Leutwyler, Cold Iron Pictures (International, Group) [ Scholarship: SB.014a, SB.014b ]
2005
Concept Designer (uncredited), Alien Planet (TV), Dir. Pierre de Lespinois, Discovery Channel (International, Group) [ Scholarship: SB.015 ]
2004
Concept Artist, Blade Trinity, Dir. David Goyer, New Line Cinema (International, Group) [ Scholarship: SB.016a, SB.016b, SB.016c ]
Visual Designer, Hellboy, Dir. Guillermo del Toro, Revolution Studios (International, Group) [ Scholarship: SB.017a, SB.017b, SB.017c ]
2002
Character Designer, Signs, Dir. M Night Shyamalan, Touchstone Pictures (International, Group) [ Scholarship: SB.018 ]
Conceptual Artist, Blade 2, Dir. Guillermo del Toro, New Line Cinema (International, Group) [ Scholarship: SB.019a, SB.019b, SB.019c ]
1997
Creature Designer, Mimic, Dir. Guillermo del Toro, Dimension Films (International, Group) [ Scholarship: SB.020a, SB.020b, SB.020c, SB.020d ]
Conceptual Artist, Spawn, Dir. Mark Dippe, New Line Cinema (International, Group) [ Scholarship: SB.021a, SB.021b ]
Visual Effects Art Director, Star Wars (Special Edition), Dir. George Lucas, Lucasfilm, (International, Group) [Scholarship: SB.022a, SB.022b, SB.022c ]
1995
Effects Art Director, Casper, Dir. Brad Silberling, Universal Pictures (International, Group) [ Scholarship: SB.023a, SB.023b ]
1994
Visual Effects Art Director, Disclosure, Dir. Barry Levinson, Warner Bros (International, Group) [ Scholarship: SB.024a, SB.024b, SB.024c ]
Effects Art Director, Flintstones, Dir. Brian Levant, Universal Picture (International, Group) [ Scholarship: SB.025a, SB.025b, SB.025c, SB.025d ]
1993
Visual Effects Art Director, Jurassic Park, Dir. Steven Spielberg, Universal Pictures (International, Group) [ Scholarship: SB.026a, SB.026b, SB.026c ]
Visual Effects Art Director, Rising Sun, Dir. Philip Kaufman, Twentieth Century Fox (International, Group) [ Scholarship: SB.027 ]
Effects Art Director, Space Rangers: Fort Hope (TV), Dir. David Morris, Columbia Broadcasting System (CBS) (International, Group) [ Scholarship: SB.028a, SB.028b, SB.028c ]
Concept Artist, ADAM, Dir Neill Blomkamp, Oats Studios (International, Group) [ Scholarship: SB.001a. SB.001b ]
2016
Conceptual Designer, (pre-production) The Gone World (production on hold), Dir. Neill Blomkamp, Twentieth Century Fox Studios (International, Group) [ Scholarship: SB.002 ]
As of this writing, this project remains viable for future production.
Conceptual Designer, (pre-production) ARC (production on hold), Dir. Steven Ilous, SMI Entertainment (International, Group) [ Scholarship: SB.003 ]
As of this writing, this project remains viable for future production.
2015
Conceptual Designer, (pre-production) Red Harvest (Alien 5) (production on hold), Dir. Neill Blomkamp, Twentieth Century Fox Studios (International, Group) [ Scholarship: SB.004a, SB.004b ]
At present, this movie is very unlikely to be made. I included it in this listing because the franchise is so highly regarded and I was specifically selected by writer/director, Neill Blomkamp, to be one of a handful of designers tasked with bringing his vision for the film to life.
Conceptual Designer, (pre-production), Tron 3 - Ascension (production on hold), Disney Studios (International, Group) [ Scholarship: SB.005 ]
At present, this movie is very unlikely to be made. I included it in this listing because the franchise is so highly regarded and I was specifically selected by production designer, Darren Gilford, to join a handful of designers tasked with bringing director, Joseph Kosinski’s vision to life.
Conceptual Designer, (uncredited-explanation below), Chappie, Dir. Neill Blomkamp, Columbia Pictures (International, Group) [ Scholarship: SB.006a, SB.006b ]
Early in the film’s preproduction phase, Director Neill Blomkamp invited me to workup some alternate designs for the Chappie and the Menacing “Moose” robot. As my role was primarily exploratory and I worked remotely for only a few weeks, I was not given onscreen credit.
2013
Conceptual Artist, Pacific Rim, Dir. Guillermo del Toro, Warner Bros (International, Group) [ Scholarship: SB.007a, SB.007b, SB.007c, SB.007d, SB.007e ]
Conceptual Designer (uncredited-explanation below), Elysium, Dir. Neill Blomkamp, TriStar Pictures (International, Group) [ Scholarship: SB.008a, SB.008b, SB.008c, SB.008d ]
Though I designed the Raven flying vehicle that appears prominently in this film and appear in the “making of” segment found on the DVD release of the movie, I was not given an onscreen credit because I was brought in late in production, worked remotely, and as such, was never part of the formal art department.
2011
Conceptual Designer, Priest, Dir. Scott C. Stewart, Screen Gems (International, Group) [ Scholarship: SB.009a, SB.009b, SB.009c ]
2010
Concept Designer, Battle Los Angeles, Dir. Jonathan Liebesman, Columbia Pictures (International, Group) [ Scholarship: SB.010a, SB.010b, SB.010c, SB.010d, SB.010e, SB.010f, SB.010g, SB.010h, SB.010i ]
2009
Vehicle Designer, Avatar, Dir. James Cameron, Twentieth Century Fox (International, Group) [ Scholarship: SB.011a, SB.011b, SB.011c, SB.011d, SB.011e, SB.011f, SB.011g, SB.011h, SB.011i ]
Concept Designer, Surrogates, Dir. Jonathan Mostow, Touchstone Pictures (International, Group) [ Scholarship: SB.012a, SB.012b ]
2008
Visual Designer, Hellboy II: The Golden Army, Dir. Guillermo del Toro, Universal Pictures (International, Group) [ Scholarship: SB.013a, SB.013b ]
2007
Executive Producer, Creature Designer, Unearthed, Dir. Matt Leutwyler, Cold Iron Pictures (International, Group) [ Scholarship: SB.014a, SB.014b ]
2005
Concept Designer (uncredited), Alien Planet (TV), Dir. Pierre de Lespinois, Discovery Channel (International, Group) [ Scholarship: SB.015 ]
2004
Concept Artist, Blade Trinity, Dir. David Goyer, New Line Cinema (International, Group) [ Scholarship: SB.016a, SB.016b, SB.016c ]
Visual Designer, Hellboy, Dir. Guillermo del Toro, Revolution Studios (International, Group) [ Scholarship: SB.017a, SB.017b, SB.017c ]
2002
Character Designer, Signs, Dir. M Night Shyamalan, Touchstone Pictures (International, Group) [ Scholarship: SB.018 ]
Conceptual Artist, Blade 2, Dir. Guillermo del Toro, New Line Cinema (International, Group) [ Scholarship: SB.019a, SB.019b, SB.019c ]
1997
Creature Designer, Mimic, Dir. Guillermo del Toro, Dimension Films (International, Group) [ Scholarship: SB.020a, SB.020b, SB.020c, SB.020d ]
Conceptual Artist, Spawn, Dir. Mark Dippe, New Line Cinema (International, Group) [ Scholarship: SB.021a, SB.021b ]
Visual Effects Art Director, Star Wars (Special Edition), Dir. George Lucas, Lucasfilm, (International, Group) [Scholarship: SB.022a, SB.022b, SB.022c ]
1995
Effects Art Director, Casper, Dir. Brad Silberling, Universal Pictures (International, Group) [ Scholarship: SB.023a, SB.023b ]
1994
Visual Effects Art Director, Disclosure, Dir. Barry Levinson, Warner Bros (International, Group) [ Scholarship: SB.024a, SB.024b, SB.024c ]
Effects Art Director, Flintstones, Dir. Brian Levant, Universal Picture (International, Group) [ Scholarship: SB.025a, SB.025b, SB.025c, SB.025d ]
1993
Visual Effects Art Director, Jurassic Park, Dir. Steven Spielberg, Universal Pictures (International, Group) [ Scholarship: SB.026a, SB.026b, SB.026c ]
Visual Effects Art Director, Rising Sun, Dir. Philip Kaufman, Twentieth Century Fox (International, Group) [ Scholarship: SB.027 ]
Effects Art Director, Space Rangers: Fort Hope (TV), Dir. David Morris, Columbia Broadcasting System (CBS) (International, Group) [ Scholarship: SB.028a, SB.028b, SB.028c ]
COMMERCIALS
As television commercials do not contain production credits, providing evidence for production participation is difficult. As the high frequency interaction with clients and fast pace of production on commercials was an important factor in my professional development and personal history, this listing is included with the best documentation available. [ Scholarship: SB.029a, SB.029b, SB.029c, SB.029d ]
1999
Concept Designer, Hurricane Harry's, Advent Entertainment, (National, Group)
Concept Designer, Cybervator, Egghead.com, (National, Group)
Concept Designer, Rock & Roller Coaster, Disneyworld, (National, Group)
Creature Designer, Journey, Coca Cola, (National, Group)
1995
Effects Art Director, Casper, PepsiCo (National, Group)
1994
Concept Designer, Darth Vader, Eveready (International, Group)
1992
Associate Director, Jurassic Trailer, Universal Studios (International, Group)
Effects Art Director, 20th Century Fox Theatrical Logo, 20th Century Fox (International, Group)
Concept Designer, Tennis Balls, Reebok, (National, Group)
Effects Art Director, Stylin’, Miller Brewing Co., (National, Group)
Effects Art Director, Antaeus, Chanel , (National, Group)
Concept Designer, Elevator, British Petroleum, (International, Group)
Concept Designer, Power Source, Intel, (National, Group)
1991
Effects Art Director, Talking Tennis Balls, Reebok, (National, Group)
Effects Art Director, Double Dip Crunch, Kellogg’s (National, Group)
1990
Concept Designer, California Status, CMAB, (National, Group)
Effects Art Director, Who’ll Stop the Rain, Olympic Stain (National, Group)
1999
Concept Designer, Hurricane Harry's, Advent Entertainment, (National, Group)
Concept Designer, Cybervator, Egghead.com, (National, Group)
Concept Designer, Rock & Roller Coaster, Disneyworld, (National, Group)
Creature Designer, Journey, Coca Cola, (National, Group)
1995
Effects Art Director, Casper, PepsiCo (National, Group)
1994
Concept Designer, Darth Vader, Eveready (International, Group)
1992
Associate Director, Jurassic Trailer, Universal Studios (International, Group)
Effects Art Director, 20th Century Fox Theatrical Logo, 20th Century Fox (International, Group)
Concept Designer, Tennis Balls, Reebok, (National, Group)
Effects Art Director, Stylin’, Miller Brewing Co., (National, Group)
Effects Art Director, Antaeus, Chanel , (National, Group)
Concept Designer, Elevator, British Petroleum, (International, Group)
Concept Designer, Power Source, Intel, (National, Group)
1991
Effects Art Director, Talking Tennis Balls, Reebok, (National, Group)
Effects Art Director, Double Dip Crunch, Kellogg’s (National, Group)
1990
Concept Designer, California Status, CMAB, (National, Group)
Effects Art Director, Who’ll Stop the Rain, Olympic Stain (National, Group)
VIDEO GAME DESIGN
2014
Vehicle Designer, State of Decay, Undead Labs (International, Group) [ Scholarship: SC.001 ]
2009
Vehicle Designer, Avatar, Ubisoft (International, Group) [ Scholarship: SC.002 ]
2005
Concept Development Consultant, Electronic Arts (pre-production) [ Scholarship: SC.003 ]
Vehicle Designer, State of Decay, Undead Labs (International, Group) [ Scholarship: SC.001 ]
2009
Vehicle Designer, Avatar, Ubisoft (International, Group) [ Scholarship: SC.002 ]
2005
Concept Development Consultant, Electronic Arts (pre-production) [ Scholarship: SC.003 ]
COMMISSIONED DESIGNS
2015
Raygun One logo for Raygun One Films, Director Jonathan Liebesman, President. (International) [ Scholarship: SD.001a, SD.001b ]
2002
Ducati ST2 Motorcycle graphic, Blade 2. Commissioned design (International) [ Scholarship: SD.002a, SD.002b ]
1999
Millennium Reserve label, Cuvaison Winery, Commissioned design for a wine label (National) [ Scholarship: SD.003 ]
1992
Maniac Mansion logo, Lucasfilm Ltd., (International) [ Scholarship: SD.004a, SD.004b ]
1991
Original Lobby Installation, Industrial Light and Magic, a division of Lucasfilm, Ltd. (Local) [ Scholarship: SD.005 ]
Raygun One logo for Raygun One Films, Director Jonathan Liebesman, President. (International) [ Scholarship: SD.001a, SD.001b ]
2002
Ducati ST2 Motorcycle graphic, Blade 2. Commissioned design (International) [ Scholarship: SD.002a, SD.002b ]
1999
Millennium Reserve label, Cuvaison Winery, Commissioned design for a wine label (National) [ Scholarship: SD.003 ]
1992
Maniac Mansion logo, Lucasfilm Ltd., (International) [ Scholarship: SD.004a, SD.004b ]
1991
Original Lobby Installation, Industrial Light and Magic, a division of Lucasfilm, Ltd. (Local) [ Scholarship: SD.005 ]
INDEPENDENT VIDEO AND FILM
1993
Co-Director, Frankenstein, Katholischen UniversitatEichstatt und dem Deutschen Medizhhistorischen Museum Ingolstadt. (International, Group) [ Scholarship: SE.001a, SE.001b, SE.001c, SE.001d ]
Co-Director, Frankenstein, Katholischen UniversitatEichstatt und dem Deutschen Medizhhistorischen Museum Ingolstadt. (International, Group) [ Scholarship: SE.001a, SE.001b, SE.001c, SE.001d ]
THEME PARK ATTRACTIONS (Motion-based Simulator)
1991
Production Designer, Space Race, Showscan Corp, (International, Group) [ Scholarship: SF.001a, SF.001b, SF.001c ]
Production Designer, Space Race, Showscan Corp, (International, Group) [ Scholarship: SF.001a, SF.001b, SF.001c ]
PUBLICATIONS
2018
Wood, Lorin, ed. Nuthin’ But Mech 4. Culver City: Design Studio Press, 2018. (International, Invitational, Group) [ Scholarship: SG.001a, SG.001b ]
2016
Salveson, B. and Shedden, J. Guillermo del Toro At Home with Monsters: Inside his films, Notebooks and Collections. San Rafael: Insight Editions, 2016. 138. (International, Group) Published in conjunction with the exhibition Guillermo del Toro At Home with Monsters. [ Scholarship: SG.002a, SG.002b ]
2015
Wood, Lorin, ed. Nuthin’ But Mech 3. Culver City: Design Studio Press, 2015. 44-45. (International, Invitational, Group) [ Scholarship: SG.003a, SG.003b ]
2014
Wood, Lorin, ed. Nuthin’ But Mech 2. Culver City: Design Studio Press, 2014. 116-117. (International, Invitational, Group) [ Scholarship: SG.004a, SG.004b ]
2012
Wood, Lorin, ed. Nuthin’ But Mech. Culver City: Design Studio Press, 2012. 116-119, 127. (International, Invitational, Group) [ Scholarship: SG.005a, SG.005b ]
2006
Ellingson, TyRuben. “Designing Killer Weapons.” Imagine FX, 2006. 86-89. (International, Solo) [ Scholarship: SG.006a, SG.006b ]
2004
Ellingson, TyRuben. “Introduction” for Mike Mignola. Hellboy 5: Right Hand of Doom. Dark Horse Comics, 2004. 5-6. (International, Group) [ Scholarship: SG.007a, SG.007b, SG.007c ]
Wood, Lorin, ed. Nuthin’ But Mech 4. Culver City: Design Studio Press, 2018. (International, Invitational, Group) [ Scholarship: SG.001a, SG.001b ]
2016
Salveson, B. and Shedden, J. Guillermo del Toro At Home with Monsters: Inside his films, Notebooks and Collections. San Rafael: Insight Editions, 2016. 138. (International, Group) Published in conjunction with the exhibition Guillermo del Toro At Home with Monsters. [ Scholarship: SG.002a, SG.002b ]
2015
Wood, Lorin, ed. Nuthin’ But Mech 3. Culver City: Design Studio Press, 2015. 44-45. (International, Invitational, Group) [ Scholarship: SG.003a, SG.003b ]
2014
Wood, Lorin, ed. Nuthin’ But Mech 2. Culver City: Design Studio Press, 2014. 116-117. (International, Invitational, Group) [ Scholarship: SG.004a, SG.004b ]
2012
Wood, Lorin, ed. Nuthin’ But Mech. Culver City: Design Studio Press, 2012. 116-119, 127. (International, Invitational, Group) [ Scholarship: SG.005a, SG.005b ]
2006
Ellingson, TyRuben. “Designing Killer Weapons.” Imagine FX, 2006. 86-89. (International, Solo) [ Scholarship: SG.006a, SG.006b ]
2004
Ellingson, TyRuben. “Introduction” for Mike Mignola. Hellboy 5: Right Hand of Doom. Dark Horse Comics, 2004. 5-6. (International, Group) [ Scholarship: SG.007a, SG.007b, SG.007c ]
EXHIBITIONS
2018
Imaginarium: Invented Places and Things, Juried Exhibition, Manifest Gallery, Cincinnati, Ohio. Jan 26 – Feb 23, 2018 (International, Group) [ Scholarship: SH.001 ]
Guillermo del Toro: At Home with Monsters, Curated Exhibition, Art Gallery of Ontario, Toronto, Ontario, Canada. Sept. 30, 2017 – Jan 7, 2018. (International, Group) [ Scholarship: SH.002 ]
2017
Guillermo del Toro: At Home with Monsters, Curated Exhibition, Minneapolis Institute of Art, Minneapolis, MN. March 5 – May 28, 2017 (International, Group) [ Scholarship: SH.003 ]
the future is calling | the present is fleeting | the past is calling, Juried Exhibition, Anderson Gallery, VCU, Richmond, VA. Feb 3 – Mar 3, 2017 (Community, Group) [ Scholarship: SH.004a, SH.004b ]
2016
Guillermo del Toro: At Home with Monsters, Curated Exhibition, Los Angeles County Museum of Art, Los Angeles, CA. August 1 – Nov 27, 2016 (International, Group) [ Scholarship: SH.005a, SH.005b, SH.005c ]
The Robo Show, Collaboration with senior student, Ameorry Luo, “Oathkeeper” and “Join”, Invitational Exhibition, Lightgrey Art Lab, Minneapolis, MN. Feb 2, 2016 (International, Group) [ Scholarship: SH.006a, SH.006b, SH.006c ]
2014
Losing Your Head, Juried Exhibition, Manifest Gallery, Cincinnati, Ohio. Nov 7 – Dec 5, 2014 (International, Group) [ Scholarship: SH.007 ]
Hellboy 20th Anniversary Art Show, Invitational Show, Hero Complex Gallery, Los Angeles, CA. May 2014 (International, Group) [ Scholarship: SH.008 ]
2012
Quarry Bridge, Two-Person Show: Ellingson/Plantenberg, Atwood Gallery, St. Cloud State University, St. Cloud, Minnesota. March 31 – April 26, 2012 (Regional) [ Scholarship: SH.009a, SH.009b ]
Textuality, Juried Exhibit of Works Incorporating Text, Manifest Gallery, Cincinnati, Ohio, March 9 – April 6, 2012 (International, Group) [ Scholarship: SH.010 ]
1988
Qualifying Exhibition Master of Fine Arts, Meadows School of the Arts, Southern Methodist University, Dallas, Texas (Community, Juried, Group) [ Scholarship: SH.011 ]
1987
Southern Methodist University Juried Exhibition, Dallas, Texas, 1987 (University, Group) [ Scholarship: unable to locate documentation]
1986
LaGrange National XI, Chattahoochee Valley Art Association, La Grange, Georgia, 1986 (National, Juried, Group) [ Scholarship: unable to locate documentation]
14th Annual National Juried Art Exhibition, Montana Institute of the Arts, Castle Gallery, Billings, Montana, 1986 (National, Juried, Group) [ Scholarship: unable to locate documentation]
Southeastern Juried Exhibition, Fine Arts Museum of the South, Mobile, Alabama, 1986 (Regional, Juried, Group) [ Scholarship: unable to locate documentation]
1982
Purchase Award, Young Minnesota Artists: A Juried Competition, University of Minnesota, Minneapolis, Minnesota, 1982 (Regional, Juried, Group) [ Scholarship: SH.012 ]
Two-Man Exhibition, 5th Avenue Gallery, St. Cloud, Minnesota, 1982 (Community, Group) [ Scholarship: SH.013 ]
One-Man Master of Arts Exhibition, Kiehle Visual Arts Center, St. Cloud State University, St. Cloud, Minnesota, 1982 (Community, Solo) [ Scholarship: SH.014a, SH.014b ]
First Place award, Five State Faculty/Senior Student Exhibition, Civic Fine Arts Center, Sioux Falls, South Dakota, 1982 (Regional, Juried, Group) [ Scholarship: SH.015 ]
Mid-America Biennial, Owensboro Museum of Fine Arts, Owensboro, Kentucky, 1982 (Regional, Juried, Group) [ Scholarship: SH.016a, SH.016b ]
Purchase Award, 44th Annual Fall Show, Sioux City Art Center, Sioux City, Iowa, 1982 (Regional, Juried, Group) [ Scholarship: SH.017 ]
1981
Two-Man Exhibition, Union Gallery Kiehle Visual Arts Center, St. Cloud State University, St. Cloud, Minnesota, 1981 (Community, Duo) [ Scholarship: SH.018 ]
Imaginarium: Invented Places and Things, Juried Exhibition, Manifest Gallery, Cincinnati, Ohio. Jan 26 – Feb 23, 2018 (International, Group) [ Scholarship: SH.001 ]
Guillermo del Toro: At Home with Monsters, Curated Exhibition, Art Gallery of Ontario, Toronto, Ontario, Canada. Sept. 30, 2017 – Jan 7, 2018. (International, Group) [ Scholarship: SH.002 ]
2017
Guillermo del Toro: At Home with Monsters, Curated Exhibition, Minneapolis Institute of Art, Minneapolis, MN. March 5 – May 28, 2017 (International, Group) [ Scholarship: SH.003 ]
the future is calling | the present is fleeting | the past is calling, Juried Exhibition, Anderson Gallery, VCU, Richmond, VA. Feb 3 – Mar 3, 2017 (Community, Group) [ Scholarship: SH.004a, SH.004b ]
2016
Guillermo del Toro: At Home with Monsters, Curated Exhibition, Los Angeles County Museum of Art, Los Angeles, CA. August 1 – Nov 27, 2016 (International, Group) [ Scholarship: SH.005a, SH.005b, SH.005c ]
The Robo Show, Collaboration with senior student, Ameorry Luo, “Oathkeeper” and “Join”, Invitational Exhibition, Lightgrey Art Lab, Minneapolis, MN. Feb 2, 2016 (International, Group) [ Scholarship: SH.006a, SH.006b, SH.006c ]
2014
Losing Your Head, Juried Exhibition, Manifest Gallery, Cincinnati, Ohio. Nov 7 – Dec 5, 2014 (International, Group) [ Scholarship: SH.007 ]
Hellboy 20th Anniversary Art Show, Invitational Show, Hero Complex Gallery, Los Angeles, CA. May 2014 (International, Group) [ Scholarship: SH.008 ]
2012
Quarry Bridge, Two-Person Show: Ellingson/Plantenberg, Atwood Gallery, St. Cloud State University, St. Cloud, Minnesota. March 31 – April 26, 2012 (Regional) [ Scholarship: SH.009a, SH.009b ]
Textuality, Juried Exhibit of Works Incorporating Text, Manifest Gallery, Cincinnati, Ohio, March 9 – April 6, 2012 (International, Group) [ Scholarship: SH.010 ]
1988
Qualifying Exhibition Master of Fine Arts, Meadows School of the Arts, Southern Methodist University, Dallas, Texas (Community, Juried, Group) [ Scholarship: SH.011 ]
1987
Southern Methodist University Juried Exhibition, Dallas, Texas, 1987 (University, Group) [ Scholarship: unable to locate documentation]
1986
LaGrange National XI, Chattahoochee Valley Art Association, La Grange, Georgia, 1986 (National, Juried, Group) [ Scholarship: unable to locate documentation]
14th Annual National Juried Art Exhibition, Montana Institute of the Arts, Castle Gallery, Billings, Montana, 1986 (National, Juried, Group) [ Scholarship: unable to locate documentation]
Southeastern Juried Exhibition, Fine Arts Museum of the South, Mobile, Alabama, 1986 (Regional, Juried, Group) [ Scholarship: unable to locate documentation]
1982
Purchase Award, Young Minnesota Artists: A Juried Competition, University of Minnesota, Minneapolis, Minnesota, 1982 (Regional, Juried, Group) [ Scholarship: SH.012 ]
Two-Man Exhibition, 5th Avenue Gallery, St. Cloud, Minnesota, 1982 (Community, Group) [ Scholarship: SH.013 ]
One-Man Master of Arts Exhibition, Kiehle Visual Arts Center, St. Cloud State University, St. Cloud, Minnesota, 1982 (Community, Solo) [ Scholarship: SH.014a, SH.014b ]
First Place award, Five State Faculty/Senior Student Exhibition, Civic Fine Arts Center, Sioux Falls, South Dakota, 1982 (Regional, Juried, Group) [ Scholarship: SH.015 ]
Mid-America Biennial, Owensboro Museum of Fine Arts, Owensboro, Kentucky, 1982 (Regional, Juried, Group) [ Scholarship: SH.016a, SH.016b ]
Purchase Award, 44th Annual Fall Show, Sioux City Art Center, Sioux City, Iowa, 1982 (Regional, Juried, Group) [ Scholarship: SH.017 ]
1981
Two-Man Exhibition, Union Gallery Kiehle Visual Arts Center, St. Cloud State University, St. Cloud, Minnesota, 1981 (Community, Duo) [ Scholarship: SH.018 ]
BIBLIOGRAPHY
2018
Failes, Ian. “Viewpaint: ILM’s Secret Weapon on Jurassic Park.” vfxblog.com. May 29, 2018. Web. (International) [ View online ]
2017
Griset, Rich. “A Magician’s Touch.” Chesterfield Observer. Nov. 29, 2017. (Community) [ Scholarship: SI.001a, SI.001b, SI.001c ]
Failes, Ian. “TyRuben Ellingson.” vfxvoice.com. Visual Effects Society. July 9, 2017. Web. (international) [ View online ]
Chun, Rene. “Inside the Deeply Nerdy - and Insanely Expensive – World of Hollywood Prop Collecting.” Wired.com. Conde Nast. March 7, 2017. (International) [ View online ]
2016
Weintraub, Steve. “Over 150 Pictures from the Cool &Unusual “Guillermo del Toro: At Home with Monsters LACMA Exhibit.” Collider.com. Complex Media, Inc. Nov 28, 2016. Web. (International) [ View online ]
Phipps, Matthew. “Interview: Forget About Everything Else.” Broad Street Magazine: A Magazine of True Stories. Maps and Legends issue 2.2, VCU Department of English. Sept 2016. 82-91. (Community) [ Scholarship: SI.002 ]
2015
Gilbert, Thomas. “Left Hand of Darkness: Guillermo del Toro passe la main.” L’Ecran Fantastique. Financiere de Loisirs. No. 364 (Mai 2015) 26 – 27. (International) [ Scholarship: SI.003a, SI.003b ]
Sosa, J. L. “I Was a Failed Gallimimus: Jurassic Park Through the Eyes of One of its Magic Creators.” FilmSchoolRejects.com. Reject Media. June 12, 2015. Web. (International) [ View online ]
2014
Mpayamaguru, Maurice. “TyRuben Ellingson Talks Special Effects and Concept Design.” Fanboy Confidential. Episode 74. July 15, 2014. Podcast. Web. (International) [ View online ]
Thorpe, Ash. “TyRuben Ellingson: Concept Designer.” The Collective Podcast. Episode 59. July 14, 2014. Web. (International) [ View online ]
Mitchell, Maurice. “See What the Bugs in Mimic Almost Looked Like in Concept Art by TyRuben Ellingson.” Film Sketchr. Jan 20, 2014. Web. (International) [ View online ]
2013
Salisbury, Mark. Elysium: The Art of the Film. London: Titan Books, 2013. 86, 104-113. (International) [ Scholarship: SI.004a, SI.004b ]
Cohen, David S. Pacific Rim: Man, Machines and Monsters. San Rafael: Insight Editions, 2013. 43, 46, 52, 106-107,116-117. (International) [ Scholarship: SI.005a, SI.005b ]
Del Toro, Guillermo. Cabinet of Curiosities: My Notebooks, Collections and Other Obsessions. San Rafael: Insight Editions, 2013. 86-89, 94, 97,117,164, 259. (International) [ Scholarship: SI.006a, SI.006b, SI.006c ]
“In Support of Story: Visual Effects of Elysium.” Elysium. Dir. Neill Blomkamp. Video Documentary, DVD BluRay Edition. Tristar Pictures, 2013. (International) [ View online ]
“Intricacy of Robot Design, Special Features.” Pacific Rim. Dir Guillermo del Toro. Video Documentary, DVD Special Edition. Warner Brothers Entertainment, 2013. (International) [ Scholarship: SI.007a, SI.007b, SI.007c, SI.007d ]
“TyRuben Ellingson Interview, part 1 and 2.” YouTube video. Virginia Production Alliance. November 22, 2013. Web. (Regional) [ View part 1 online ] [ View part 2 online ]
Mertens, Shelby. “VCUarts newest professor has Hollywood Resume.” The Commonwealth Times. 55.3 (2013): 7. (Community) [ Scholarship: SI.008 ] [ View online ]
Emme, Nicholas “VCU Lands Hollywood Heavyweight.” Style Weekly Magazine. Landmark Communications, Inc. August 14, 2013. Web. (Community) [ Scholarship: SI.009a, SI.009b ]
Beggs. Scott. “The Man Who Paints the Future.” FilmSchoolRejects.com. Reject Media, August 9, 2013. Podcast. Web. (International) [ View online ]
Andrews, Charlie Jane. “Designing Elysium: All the Secrets of Neill Blomkamp’s Stark Future.” i09. August 8, 2013. Web. (International) [ View online ]
Webster, Andrew. “Drawing Dystopia: Behind the Incredible Sci-fi Art of Elysium.” TheVerge.com. Vox Media, August 7, 2013. Web. (International) [ View online ]
2012
“Partners in Art.” St. Cloud State University Outlook, Summer 2012. (University) [ Scholarship: SI.010 ]
Dickrell, Stephanie. “Computers and Clay.” UpNext, St. Cloud Times, March, 2012. (Community) [ Scholarship: SI.011a, SI.011b ]
2011
Lesnick, Silas. “WonderCon Exclusive Interview: Scott Stewart Talks Priest.” Shocktilyoudrop. Craveonline, LLC. April 5, 2011. Web. (International) [ View online ]
Nazarro, Joe. “Battle: Los Angeles, Building a Better Alien.” Famous Monsters in Filmland. FM#254 (2011): 18-21. (International) [ Scholarship: SI.012a, SI.012b ]
Duncan, Jody. “Battle: Los Angeles, Aliens in the City of Angels.” Cinefex 125 (April 2011) (International) [ Scholarship: SI.013 ]
Teoh, Jun-Kai. “SCSU Alum Ellingson offers advice, encouragement.” St. Cloud State University Chronicle, March, 2011. (University) [ Scholarship: SI.014 ]
Unze, David. “AVATAR Designer Visits SCSU Class.” St. Cloud Times, April 2011. (Community) [ Scholarship: SI.015a ]
2010
Shoemaker, Marsha. “Reel World Fantasy.” St Cloud State University Outlook, (Summer 2010):18-19. (University) [ Scholarship: SI.015b ]
Duncan, Jody. “Avatar, The Seduction of Reality.” Cinefex 120 (January 2010):92. (International) [ Scholarship: SI.016a, SI.016b ]
Duncan, Jody and Fitzpatrick, Lisa. The Making of Avatar. New York: Abrams Books, 2010. 74-76, 106-107, 207, 258. (International) [ Scholarship: SI.017a, SI.017b ]
2009
Fitzpatrick, Lisa. The Art of Avatar. New York: Abrams Books, 2009. 12,15, 22-23, 66, 84-85, 90-91,105. (International) [ Scholarship: SI.018a, SI.018b, SI.018c ]
2004
Duncan, Jody. “To Hell and Back.” Cinefex 97 (April 2004): 59. (International) [ Scholarship: SI.019a, SI.019b ]
Nazzaro, Joe. “Art of Darkness.” Starlog 326 (2004): 70-73. (International, Group) [ Scholarship: SI.020a, SI.020b ]
Kohman, Liz. “Gun Guy Makes Magic.” St. Cloud Times, 2004, 1C. (Community) [ Scholarship: SI.021a, SI.021b ]
Allie, Scott, Ed. Hellboy: The Art of the Movie. Milwaukie, OR: Dark Horse Books, 2004. 7, 20-22,73, 104-105. (International) [ Scholarship: SI.022a, SI.022b ]
2003
Mignola, Mike. Hellboy: Weird Tales Volume 1. Milwaukie, OR: Dark Horse Books, 2003. 110. (International) [ Scholarship: SI.023a, SI.023b ]
1999
Magid, Ron. “Stanley Kubrick’s Lost Movie.” Entertainment Weekly (1999): 39-41. (International) [ Scholarship: SI.024a, SI.024b, SI.024c ]
1998
Weiners, Brad “The Anti-Mickey.” Wired Magazine (1998): 39. (International) [ Scholarship: SI.025a, SI.025b ]
“TyRuben Ellingson.” Interview by TheFan. ILMFan. Industrial Light and Magic. June 21, 1998. Web. (International) [ View online ]
1997
Nistler, Jeanine. “Art: The SCSU/West Coast Alumni Connection.” St. Cloud State University Outlook Magazine (1997): 5. (University) [ Scholarship: SI.026a, SI.026b ]
Bergquist, Kris. “St. Cloud Man Goes Buggy for Mimic.” St. Cloud Times, 1997, 8E. (Community) [ Scholarship: SI.026c ]
Spelling, Ian and Yakir, Dan. “Mimic: Inventing the Insects.” Starlog 243 (1997): 36-39. (International) [ Scholarship: SI.027a ]
Bergquist, Kris. “St. Cloud Native Redraws History in Star Wars.” St. Cloud Times, 1997, 10E-11E. (Community) [ Scholarship: SI.028 ]
Titleman, Carol, Ed. The Art of Star Wars: A New Hope. New York: Ballantine Books, 1997. 178-189. (International) [ Scholarship: SI.029a, SI.029b, SI.029c ]
1996
Vaz, Mark and Duignan, P.R. Industrial Light + Magic: Into the Digital Realm. New York: Ballantine Books, 1996. 219-220, 84-86, 287, 290-294. (International) [ Scholarship: SI.030a, SI.030b, SI.030c ]
1995
Dyas, Guy. “ILM AD (Art Director).” Designer’s Workshop (Japan) (1995): 132-135. (International) [ Scholarship: SI.031a, SI.031b, SI.031c ]
Bernstein, Abbie. “The Wasp Factory.” Fangoria #167, (1995):41-45. (International) [ Scholarship: SI.032a, SI.032b ]
Robertson, B. “Behind the Scenes of Disclosure.” Computer Graphics World, Vol. 18 No. 2 (1995): 35-38. (International) [ Scholarship: SI.033a, SI.033b ]
Dorantes, David. “Crear lo inexistente.” Sociedad Siglo 21 Guadalajara, 1995. 3 Vida & Cultura. (International) [ Scholarship: SI.034 ]
1994
Hooper, Laurence. “Digital Hollywood: How Computers Are Remaking Movie Making.” Rolling Stone, Issue 688 (1994): 75. (International) [ Scholarship: SI.035 ]
Magid, Ron. “ILM Meets The Flintstones.” American Cinematographer (1994): 62, 68, 69. (International) [ Scholarship: SI.036a, SI.036b ]
Duncan, Jody. “Flintstones, The Making of a Rockbuster.” Cinefex 58 (1994). (International) [ Scholarship: SI.037a, SI.037b ]
1993
Bergquist, Kris. “Having a Special Effect.” St. Cloud Times, 1993.11D (Community) [ Scholarship: SI.038a, SI.038b ]
Rubel, Shane. “Alumnus Directs Dinosaurs.” St. Cloud State University Chronicle, 1993. (University) [ Scholarship: SI.038c, SI.038d ]
1992
Weiners, Brad. “If We Build It, They Will Come.” The City: San Francisco’s Magazine (1992): 34-35. (Community) [ Scholarship:SI.039a, SI.039b, SI.039c ]
1982
Ertl, Jim. “Grids, Cubes Reflect Society’s Direction in Artist’s Work.” St. Cloud State University Chronicle, 1982. (University) [ Scholarship: SI.040 ]
Failes, Ian. “Viewpaint: ILM’s Secret Weapon on Jurassic Park.” vfxblog.com. May 29, 2018. Web. (International) [ View online ]
2017
Griset, Rich. “A Magician’s Touch.” Chesterfield Observer. Nov. 29, 2017. (Community) [ Scholarship: SI.001a, SI.001b, SI.001c ]
Failes, Ian. “TyRuben Ellingson.” vfxvoice.com. Visual Effects Society. July 9, 2017. Web. (international) [ View online ]
Chun, Rene. “Inside the Deeply Nerdy - and Insanely Expensive – World of Hollywood Prop Collecting.” Wired.com. Conde Nast. March 7, 2017. (International) [ View online ]
2016
Weintraub, Steve. “Over 150 Pictures from the Cool &Unusual “Guillermo del Toro: At Home with Monsters LACMA Exhibit.” Collider.com. Complex Media, Inc. Nov 28, 2016. Web. (International) [ View online ]
Phipps, Matthew. “Interview: Forget About Everything Else.” Broad Street Magazine: A Magazine of True Stories. Maps and Legends issue 2.2, VCU Department of English. Sept 2016. 82-91. (Community) [ Scholarship: SI.002 ]
2015
Gilbert, Thomas. “Left Hand of Darkness: Guillermo del Toro passe la main.” L’Ecran Fantastique. Financiere de Loisirs. No. 364 (Mai 2015) 26 – 27. (International) [ Scholarship: SI.003a, SI.003b ]
Sosa, J. L. “I Was a Failed Gallimimus: Jurassic Park Through the Eyes of One of its Magic Creators.” FilmSchoolRejects.com. Reject Media. June 12, 2015. Web. (International) [ View online ]
2014
Mpayamaguru, Maurice. “TyRuben Ellingson Talks Special Effects and Concept Design.” Fanboy Confidential. Episode 74. July 15, 2014. Podcast. Web. (International) [ View online ]
Thorpe, Ash. “TyRuben Ellingson: Concept Designer.” The Collective Podcast. Episode 59. July 14, 2014. Web. (International) [ View online ]
Mitchell, Maurice. “See What the Bugs in Mimic Almost Looked Like in Concept Art by TyRuben Ellingson.” Film Sketchr. Jan 20, 2014. Web. (International) [ View online ]
2013
Salisbury, Mark. Elysium: The Art of the Film. London: Titan Books, 2013. 86, 104-113. (International) [ Scholarship: SI.004a, SI.004b ]
Cohen, David S. Pacific Rim: Man, Machines and Monsters. San Rafael: Insight Editions, 2013. 43, 46, 52, 106-107,116-117. (International) [ Scholarship: SI.005a, SI.005b ]
Del Toro, Guillermo. Cabinet of Curiosities: My Notebooks, Collections and Other Obsessions. San Rafael: Insight Editions, 2013. 86-89, 94, 97,117,164, 259. (International) [ Scholarship: SI.006a, SI.006b, SI.006c ]
“In Support of Story: Visual Effects of Elysium.” Elysium. Dir. Neill Blomkamp. Video Documentary, DVD BluRay Edition. Tristar Pictures, 2013. (International) [ View online ]
“Intricacy of Robot Design, Special Features.” Pacific Rim. Dir Guillermo del Toro. Video Documentary, DVD Special Edition. Warner Brothers Entertainment, 2013. (International) [ Scholarship: SI.007a, SI.007b, SI.007c, SI.007d ]
“TyRuben Ellingson Interview, part 1 and 2.” YouTube video. Virginia Production Alliance. November 22, 2013. Web. (Regional) [ View part 1 online ] [ View part 2 online ]
Mertens, Shelby. “VCUarts newest professor has Hollywood Resume.” The Commonwealth Times. 55.3 (2013): 7. (Community) [ Scholarship: SI.008 ] [ View online ]
Emme, Nicholas “VCU Lands Hollywood Heavyweight.” Style Weekly Magazine. Landmark Communications, Inc. August 14, 2013. Web. (Community) [ Scholarship: SI.009a, SI.009b ]
Beggs. Scott. “The Man Who Paints the Future.” FilmSchoolRejects.com. Reject Media, August 9, 2013. Podcast. Web. (International) [ View online ]
Andrews, Charlie Jane. “Designing Elysium: All the Secrets of Neill Blomkamp’s Stark Future.” i09. August 8, 2013. Web. (International) [ View online ]
Webster, Andrew. “Drawing Dystopia: Behind the Incredible Sci-fi Art of Elysium.” TheVerge.com. Vox Media, August 7, 2013. Web. (International) [ View online ]
2012
“Partners in Art.” St. Cloud State University Outlook, Summer 2012. (University) [ Scholarship: SI.010 ]
Dickrell, Stephanie. “Computers and Clay.” UpNext, St. Cloud Times, March, 2012. (Community) [ Scholarship: SI.011a, SI.011b ]
2011
Lesnick, Silas. “WonderCon Exclusive Interview: Scott Stewart Talks Priest.” Shocktilyoudrop. Craveonline, LLC. April 5, 2011. Web. (International) [ View online ]
Nazarro, Joe. “Battle: Los Angeles, Building a Better Alien.” Famous Monsters in Filmland. FM#254 (2011): 18-21. (International) [ Scholarship: SI.012a, SI.012b ]
Duncan, Jody. “Battle: Los Angeles, Aliens in the City of Angels.” Cinefex 125 (April 2011) (International) [ Scholarship: SI.013 ]
Teoh, Jun-Kai. “SCSU Alum Ellingson offers advice, encouragement.” St. Cloud State University Chronicle, March, 2011. (University) [ Scholarship: SI.014 ]
Unze, David. “AVATAR Designer Visits SCSU Class.” St. Cloud Times, April 2011. (Community) [ Scholarship: SI.015a ]
2010
Shoemaker, Marsha. “Reel World Fantasy.” St Cloud State University Outlook, (Summer 2010):18-19. (University) [ Scholarship: SI.015b ]
Duncan, Jody. “Avatar, The Seduction of Reality.” Cinefex 120 (January 2010):92. (International) [ Scholarship: SI.016a, SI.016b ]
Duncan, Jody and Fitzpatrick, Lisa. The Making of Avatar. New York: Abrams Books, 2010. 74-76, 106-107, 207, 258. (International) [ Scholarship: SI.017a, SI.017b ]
2009
Fitzpatrick, Lisa. The Art of Avatar. New York: Abrams Books, 2009. 12,15, 22-23, 66, 84-85, 90-91,105. (International) [ Scholarship: SI.018a, SI.018b, SI.018c ]
2004
Duncan, Jody. “To Hell and Back.” Cinefex 97 (April 2004): 59. (International) [ Scholarship: SI.019a, SI.019b ]
Nazzaro, Joe. “Art of Darkness.” Starlog 326 (2004): 70-73. (International, Group) [ Scholarship: SI.020a, SI.020b ]
Kohman, Liz. “Gun Guy Makes Magic.” St. Cloud Times, 2004, 1C. (Community) [ Scholarship: SI.021a, SI.021b ]
Allie, Scott, Ed. Hellboy: The Art of the Movie. Milwaukie, OR: Dark Horse Books, 2004. 7, 20-22,73, 104-105. (International) [ Scholarship: SI.022a, SI.022b ]
2003
Mignola, Mike. Hellboy: Weird Tales Volume 1. Milwaukie, OR: Dark Horse Books, 2003. 110. (International) [ Scholarship: SI.023a, SI.023b ]
1999
Magid, Ron. “Stanley Kubrick’s Lost Movie.” Entertainment Weekly (1999): 39-41. (International) [ Scholarship: SI.024a, SI.024b, SI.024c ]
1998
Weiners, Brad “The Anti-Mickey.” Wired Magazine (1998): 39. (International) [ Scholarship: SI.025a, SI.025b ]
“TyRuben Ellingson.” Interview by TheFan. ILMFan. Industrial Light and Magic. June 21, 1998. Web. (International) [ View online ]
1997
Nistler, Jeanine. “Art: The SCSU/West Coast Alumni Connection.” St. Cloud State University Outlook Magazine (1997): 5. (University) [ Scholarship: SI.026a, SI.026b ]
Bergquist, Kris. “St. Cloud Man Goes Buggy for Mimic.” St. Cloud Times, 1997, 8E. (Community) [ Scholarship: SI.026c ]
Spelling, Ian and Yakir, Dan. “Mimic: Inventing the Insects.” Starlog 243 (1997): 36-39. (International) [ Scholarship: SI.027a ]
Bergquist, Kris. “St. Cloud Native Redraws History in Star Wars.” St. Cloud Times, 1997, 10E-11E. (Community) [ Scholarship: SI.028 ]
Titleman, Carol, Ed. The Art of Star Wars: A New Hope. New York: Ballantine Books, 1997. 178-189. (International) [ Scholarship: SI.029a, SI.029b, SI.029c ]
1996
Vaz, Mark and Duignan, P.R. Industrial Light + Magic: Into the Digital Realm. New York: Ballantine Books, 1996. 219-220, 84-86, 287, 290-294. (International) [ Scholarship: SI.030a, SI.030b, SI.030c ]
1995
Dyas, Guy. “ILM AD (Art Director).” Designer’s Workshop (Japan) (1995): 132-135. (International) [ Scholarship: SI.031a, SI.031b, SI.031c ]
Bernstein, Abbie. “The Wasp Factory.” Fangoria #167, (1995):41-45. (International) [ Scholarship: SI.032a, SI.032b ]
Robertson, B. “Behind the Scenes of Disclosure.” Computer Graphics World, Vol. 18 No. 2 (1995): 35-38. (International) [ Scholarship: SI.033a, SI.033b ]
Dorantes, David. “Crear lo inexistente.” Sociedad Siglo 21 Guadalajara, 1995. 3 Vida & Cultura. (International) [ Scholarship: SI.034 ]
1994
Hooper, Laurence. “Digital Hollywood: How Computers Are Remaking Movie Making.” Rolling Stone, Issue 688 (1994): 75. (International) [ Scholarship: SI.035 ]
Magid, Ron. “ILM Meets The Flintstones.” American Cinematographer (1994): 62, 68, 69. (International) [ Scholarship: SI.036a, SI.036b ]
Duncan, Jody. “Flintstones, The Making of a Rockbuster.” Cinefex 58 (1994). (International) [ Scholarship: SI.037a, SI.037b ]
1993
Bergquist, Kris. “Having a Special Effect.” St. Cloud Times, 1993.11D (Community) [ Scholarship: SI.038a, SI.038b ]
Rubel, Shane. “Alumnus Directs Dinosaurs.” St. Cloud State University Chronicle, 1993. (University) [ Scholarship: SI.038c, SI.038d ]
1992
Weiners, Brad. “If We Build It, They Will Come.” The City: San Francisco’s Magazine (1992): 34-35. (Community) [ Scholarship:SI.039a, SI.039b, SI.039c ]
1982
Ertl, Jim. “Grids, Cubes Reflect Society’s Direction in Artist’s Work.” St. Cloud State University Chronicle, 1982. (University) [ Scholarship: SI.040 ]
EDUCATION TOWARDS PROFESSIONAL GROWTH
2018
Department Chairs’ Leadership Community, VCU Faculty Affairs, Sep 2017 – April 2018. Voluntary attendance at 7/9 meetings. (Attendance may be verified at [email protected] ) [ Scholarship: SJ.001 ]
2017
Academy for Assessment That Matters, VCU Office of Academic Affairs, Aug 2016 – May 2017. This academy required an application/ acceptance. Completed and presented project: Defining Senior Outcomes which resulted in the restructuring of the Senior Capstone outcomes and assessment approach. (Participation may be verified by Scott Oates.) [ Scholarship: SJ.002 ]
2016
Department Chairs’ Certification Program, July 12 -14, 2016. Required for new department chairs. [ Scholarship: SJ.003 ]
VCU Leadership Development Program, The Grace E Harris Leadership Institute, Jan 2016 - Oct 2016. Nominated and funded by VCU Arts Office of the Dean. Team Project focused on improvement of space and funding for RamPantry. [ Scholarship: SJ.004 ]
2015
Creative Capital Workshop, VCU Arts Office of Research. April 3, 2015.
A workshop designed to promote grant-seeking success in the creative realms. [ Scholarship: SJ.005a, SJ.005b ]
Department Chairs’ Leadership Community, VCU Faculty Affairs, Sep 2017 – April 2018. Voluntary attendance at 7/9 meetings. (Attendance may be verified at [email protected] ) [ Scholarship: SJ.001 ]
2017
Academy for Assessment That Matters, VCU Office of Academic Affairs, Aug 2016 – May 2017. This academy required an application/ acceptance. Completed and presented project: Defining Senior Outcomes which resulted in the restructuring of the Senior Capstone outcomes and assessment approach. (Participation may be verified by Scott Oates.) [ Scholarship: SJ.002 ]
2016
Department Chairs’ Certification Program, July 12 -14, 2016. Required for new department chairs. [ Scholarship: SJ.003 ]
VCU Leadership Development Program, The Grace E Harris Leadership Institute, Jan 2016 - Oct 2016. Nominated and funded by VCU Arts Office of the Dean. Team Project focused on improvement of space and funding for RamPantry. [ Scholarship: SJ.004 ]
2015
Creative Capital Workshop, VCU Arts Office of Research. April 3, 2015.
A workshop designed to promote grant-seeking success in the creative realms. [ Scholarship: SJ.005a, SJ.005b ]
TEACHING
I promote a learning process that activates student potential. In the classroom, I focus on three primary themes: to enhance students’ self-awareness, which includes an understanding of their personal philosophy of creativity; to provide fundamental knowledge, guidance, and tools applicable to the successful practice of design; and to foster an expanding appreciation and understanding of design in culture.
COURSES AND RESPONSIBILITIES
* To view VCU COAR syllabi — please find the appropriate folder in Blackboard and look up by [ bracketed code ]
2018 Spring
Responsibilities: Department Chair
Courses Taught:
COAR 320 Concept Drawing [ Teaching: TA.001 ]
COAR 407 Senior Project [ Teaching: TA.002 ]
ARTF 139 Project: Communication Arts [ Teaching: TA.003 ]
Independent Study Students:
Edwin Resnick
Miranda Young
Daniel Mangosing
Camden Dechert
Christian Johnson
Alexa Taveras
2017 Fall
Responsibilities: Department Chair
Courses Taught:
COAR 320 Concept Drawing [ Teaching: TA.001 ]
COAR 407 Senior Project [ Teaching: TA.002 ]
ARTF 139 Project: Communication Arts [ Teaching: TA.003 ]
Independent Study Students:
None
2017 Spring
Responsibilities: Department Chair
Courses Taught:
COAR 464 Senior Portfolio (6 cr) [ Teaching: TA.004 ]
ARTF 139 Project: Communication Arts [ Teaching: TA.003 ]
Independent Study Students:
Ryan Schultz
Philip Dolan
Peter Kim
Joshua Bywater
Gareth Benthall
2016 Fall
Responsibilities: Department Chair
Courses Taught:
COAR 464 Senior Portfolio (6 cr) [ Teaching: TA.004 ]
COAR 463 Honors Studio [ Teaching: TA.005, TA.006 ]
ARTF 139 Project: Communication Arts [ Teaching: TA. 003 ]
Independent Study Students:
None
2016 Spring
Responsibilities: Interim Assistant Chair/ NASAD Review Coordinator
Courses Taught:
COAR 463 Honors Studio [ Teaching: TA.005, TA.006 ]
COAR 491 Topics: Concept 3D [ Teaching: TA.007 ]
Independent Study Students:
Xinru (Melissa) Wang
Christine Fouron
Emily Rueckert
KC Corley
Lily Li
2015 Fall
Responsibilities: Interim Assistant Chair/ NASAD Review Coordinator
Courses Taught:
COAR 320 Concept Drawing [ Teaching: TA.008,TA.009 ]
COAR 320 Concept Drawing [ Teaching: TA.008,TA.009 ]
COAR 320 Concept Drawing [ Teaching: TA.008,TA.009 ]
Independent Study Students:
Emily Berkley
Clayton Bontrager
Erin Bushnell
Ameorry Luo
Reagan Lodge
2015 Spring
Courses Taught:
COAR 321 Sequential Imaging [ Teaching: TA.010, TA.011 ]
COAR 321 Sequential Imaging [ Teaching: TA.010, TA.011 ]
COAR 332 Digital Drawing [ Teaching: TA.012 ]
Independent Study Students:
Kendall Ewing
Kate Hancock
Carson Jones
Ameorry Luo
Catherine Samples
2014 Fall
Courses Taught:
COAR 200 Visual Studies: Drawing [ Teaching: TA.013 ]
COAR 491 Topics: Design Development [ Teaching: TA.014, TA.015 ]
ARTF 139 Project: Communication Arts [ Teaching: TA.016 ]
Independent Study Students:
Janet George
Carson Jones
Mira Ko
Ameorry Luo
Cynthia Raggo
2014 Spring
Courses Taught:
COAR 321 Sequential Imaging [ Teaching: TA.010, TA.011 ]
COAR 332 Digital Drawing [ Teaching: TA.012 ]
COAR 491 Topics:Design Development [ Teaching: TA.014, TA.015 ]
Independent Study Students:
Elizabeth Forbes
Janel Houlihan
Heather Thomas
Emma Witt
Philip Wisenhunt
Samantha Brodek
2013 Fall
Courses Taught:
COAR 320 Concept Drawing [ Teaching: TA.017 ]
COAR 320 Concept Drawing [ Teaching: TA.017 ]
COAR 300 Illustration: Drawing and Painting [ Teaching: TA.018 ]
Responsibilities: Department Chair
Courses Taught:
COAR 320 Concept Drawing [ Teaching: TA.001 ]
COAR 407 Senior Project [ Teaching: TA.002 ]
ARTF 139 Project: Communication Arts [ Teaching: TA.003 ]
Independent Study Students:
Edwin Resnick
Miranda Young
Daniel Mangosing
Camden Dechert
Christian Johnson
Alexa Taveras
2017 Fall
Responsibilities: Department Chair
Courses Taught:
COAR 320 Concept Drawing [ Teaching: TA.001 ]
COAR 407 Senior Project [ Teaching: TA.002 ]
ARTF 139 Project: Communication Arts [ Teaching: TA.003 ]
Independent Study Students:
None
2017 Spring
Responsibilities: Department Chair
Courses Taught:
COAR 464 Senior Portfolio (6 cr) [ Teaching: TA.004 ]
ARTF 139 Project: Communication Arts [ Teaching: TA.003 ]
Independent Study Students:
Ryan Schultz
Philip Dolan
Peter Kim
Joshua Bywater
Gareth Benthall
2016 Fall
Responsibilities: Department Chair
Courses Taught:
COAR 464 Senior Portfolio (6 cr) [ Teaching: TA.004 ]
COAR 463 Honors Studio [ Teaching: TA.005, TA.006 ]
ARTF 139 Project: Communication Arts [ Teaching: TA. 003 ]
Independent Study Students:
None
2016 Spring
Responsibilities: Interim Assistant Chair/ NASAD Review Coordinator
Courses Taught:
COAR 463 Honors Studio [ Teaching: TA.005, TA.006 ]
COAR 491 Topics: Concept 3D [ Teaching: TA.007 ]
Independent Study Students:
Xinru (Melissa) Wang
Christine Fouron
Emily Rueckert
KC Corley
Lily Li
2015 Fall
Responsibilities: Interim Assistant Chair/ NASAD Review Coordinator
Courses Taught:
COAR 320 Concept Drawing [ Teaching: TA.008,TA.009 ]
COAR 320 Concept Drawing [ Teaching: TA.008,TA.009 ]
COAR 320 Concept Drawing [ Teaching: TA.008,TA.009 ]
Independent Study Students:
Emily Berkley
Clayton Bontrager
Erin Bushnell
Ameorry Luo
Reagan Lodge
2015 Spring
Courses Taught:
COAR 321 Sequential Imaging [ Teaching: TA.010, TA.011 ]
COAR 321 Sequential Imaging [ Teaching: TA.010, TA.011 ]
COAR 332 Digital Drawing [ Teaching: TA.012 ]
Independent Study Students:
Kendall Ewing
Kate Hancock
Carson Jones
Ameorry Luo
Catherine Samples
2014 Fall
Courses Taught:
COAR 200 Visual Studies: Drawing [ Teaching: TA.013 ]
COAR 491 Topics: Design Development [ Teaching: TA.014, TA.015 ]
ARTF 139 Project: Communication Arts [ Teaching: TA.016 ]
Independent Study Students:
Janet George
Carson Jones
Mira Ko
Ameorry Luo
Cynthia Raggo
2014 Spring
Courses Taught:
COAR 321 Sequential Imaging [ Teaching: TA.010, TA.011 ]
COAR 332 Digital Drawing [ Teaching: TA.012 ]
COAR 491 Topics:Design Development [ Teaching: TA.014, TA.015 ]
Independent Study Students:
Elizabeth Forbes
Janel Houlihan
Heather Thomas
Emma Witt
Philip Wisenhunt
Samantha Brodek
2013 Fall
Courses Taught:
COAR 320 Concept Drawing [ Teaching: TA.017 ]
COAR 320 Concept Drawing [ Teaching: TA.017 ]
COAR 300 Illustration: Drawing and Painting [ Teaching: TA.018 ]
COURSES DEVELOPED
2015
COAR 491 Topics: Concept 3D [ Teaching: TA.007 ]
An advanced course exploring the use of 3D software (SketchUp & KeyShot) to create dynamic conceptual and/or entertainment design. Emphasis is placed on evolving design methods and producing professional quality, presentation ready (2D) images.
Course Objectives:
By the end of this course students will be able to:
2014
COAR 491 Topics: Design Development [ Teaching: TA.014, TA.015 ]
In a great many industries, a design development curve will begin with a question or problem in search of an innovative solution. In the entertainment design sphere, such questions are further complicated by the project’s larger narrative reality.
Course objectives:
COAR 491 Topics: Concept 3D [ Teaching: TA.007 ]
An advanced course exploring the use of 3D software (SketchUp & KeyShot) to create dynamic conceptual and/or entertainment design. Emphasis is placed on evolving design methods and producing professional quality, presentation ready (2D) images.
Course Objectives:
By the end of this course students will be able to:
- Demonstrate proficiency in utilizing the primary SketchUp toolset for constructing three-dimensional renditions of their original designs.
- Utilize a personal workflow that allows for original sketch designs to be effectively built into 3D models (using SketchUp).
- Construct base geometry (in SketchUp) designed to act as a perspective aid for the creation of 2D drawings and illustrations.
- Demonstrate an ability to move 3D models into the KeyShot render engine (located in The Depot) and make use of its primary functionality for the creation of impactful presentation images.
2014
COAR 491 Topics: Design Development [ Teaching: TA.014, TA.015 ]
In a great many industries, a design development curve will begin with a question or problem in search of an innovative solution. In the entertainment design sphere, such questions are further complicated by the project’s larger narrative reality.
Course objectives:
- To devise strategies for better understanding the contextual needs of a project
- To employ research strategies for strengthening conceptual awareness relevant to the design assignment
- To explore and refine design development, refinement, and presentation practices
- To develop competency with design markers
- To introduce methods for a digital workflow
TEACHING PRIOR TO VCU
1993
Adjunct Faculty
San Francisco State University, San Francisco, CA
Course: Special Projects: Cinema [ Teaching: TB.001 ]
1991
Adjunct Faculty
San Francisco State University, San Francisco, CA
Workshop: Art Direction/ Production Design, Visual Effects Art Direction [ Teaching: TB.002 ]
1981-82
Graduate Assistantship
St Cloud State University, St. Cloud, Minnesota
Courses: Drawing I, Design I [ Teaching: TB.003 ]
Adjunct Faculty
San Francisco State University, San Francisco, CA
Course: Special Projects: Cinema [ Teaching: TB.001 ]
1991
Adjunct Faculty
San Francisco State University, San Francisco, CA
Workshop: Art Direction/ Production Design, Visual Effects Art Direction [ Teaching: TB.002 ]
1981-82
Graduate Assistantship
St Cloud State University, St. Cloud, Minnesota
Courses: Drawing I, Design I [ Teaching: TB.003 ]
SERVICE
SERVICE TO PROFESSION
As a designer, artist, or a creator of any kind, it is my view that continual, consistent personal evolution is foundational to expanding one’s conceptual reach and elevating one’s levels of success. When lecturing, I am quick to articulate and underscore this reality and challenge everyone to broaden their minds by enhancing their awareness of how they perceive, utilize, and cultivate the great potentials of their interior.
2006-18
Member of Art Director’s Guild, Los Angeles, CA (International) [ Service:SVA.001 ]
2018
“Solo: A Star Wars Story, Episode # 234” Audio blog post. fxguide.com. fxguide: thevfxshow, June, 2018. Web. (International) [ Service: SVA.002 ]
2016
Nohl, Lindsay, Interview. “Talking with TyRuben Ellingson” Audio Blog post. lightgreyartlab.com. Light Grey Art Lab Podcast, March 28, 2016. Web. (International) [Service: SVA.003 ] [ View online ]
“Conceptual Design in Cinema with TyRuben Ellingson, Episode 6” Audio Blog post. artprogoshow.com. Art Pro Go Show, March 9, 2016. Web. (International) [Service: SVA.004 ] [ View online ]
2015
“The Digital Character, Episode 200” Audio blog post. fxguide.com. fxguide: thevfxshow, July 2015. Web. (International) [Service: SVA.005 ] [ view online ]
2014
“Design Process and Methods.” Presentation for Legendeer Workshop, VCU Rice Center. July 13, 2014 (Regional) [ Service: SVA.006 ]
“The Secret Life of Walter Mitty, Episode 178” Audio blog post. fxguide.com. fxguide: thevfxshow, Feb 2014. Web. (International) [Service: SVA.007 ] [ View online ]
“Noah, Episode 181” Audio blog post. fxguide.com. fxguide: thevfxshow, April 2014. Web. (International) [Service: SVA.008 ] [ View online ]
2013
“Elysium, Episode 172” Audio blog post. fxguide.com. fxguide: thevfxshow, August 2013. Web. (International) [Service: SVA.009 ] [ View online ]
“Oblivion, Episode 167” Audio blog post. fxguide.com fwguide: thevfxshow, May 3 2013. Web. (International) [Service: SVA.010 ] [ View online ]
Failes, Ian. “Welcome (back) to Jurassic Park” Interview. fxguide.com, April, 2013. Web. (International) [ View online ]
“Life of Pi, Episode 161” Audio blog post. fxguide.com. fxguide: thevfxshow, January 2013. Web. (International) [Service: SVA.011 ] [ View online ]
2012
“P. Jackson’s King Kong, Episode 156” Audio blog post. fxguide.com. fxguide: thevfxshow, September 2012. Web. (International) [Service: SVA.012 ] [ View online ]
“The Dark Knight Rises, Episode 152” Audio blog post. fxguide.com. fxguide: thevfxshow, June 2012.Web. (International) [Service: SVA.013 ] [ View online ]
“Prometheus, Episode 149” Audio blog post. fxguide.com. fxguide: thevfxshow, June 2012. Web. (International) [Service: SVA.014 ] [ View online ]
“Alien and Aliens, Episode 146” Audio blog post. fxguide.com. fxguide: thevfxshow, May 2012. Web. (International) [Service: SVA.015 ] [ View online ]
2011
“The Tree of Life/Melancholia, Episode 139” Audio blog post. fxguide.com. fxguide: thevfxshow, December 2011. Web. (International) [ Service: SVA.016 ] [ View online ]
“In Time/Gattaca, Episode 136” Audio blog post. fxguide.com. fxguide: thevfxshow, November 2011. Web. (International) [ Service: SVA.017 ] [ View online ]
“The Thing, Episode 135” Audio blog post. fxguide.com. fxguide: thevfxshow, October 2011. Web. (International) [Service: SVA.018 ] [ View online ]
“The Black Swan, Episode 117” Audio blog post. fxguide.com. fxguide: thevfxshow, February 2011. Web. (International) [Service: SVA.019 ] [ View online ]
2010
“From Art School to AVATAR,” Presentation with Yuri Bartoli, Sponsored by Edgen Films, Austin, TX, August 2010 (State) [ Service: SVA.020 ]
2009
“The Evolution of Cinematic Special Effects,” Talk of the Nation, National Public Radio (NPR), December 2009 (International) [ Service: SVA.021 ] [ View online ]
2008
“Proactive Concept Design: Looking In to See Out,” Presentation at Gnomon School of Visual Effects, Hollywood, CA, June 2008 (Regional) [ Service: SVA.022 ] [ View online ]
2001
Keynote for graduation ceremony, Expression College for Digital Arts, Emeryville, CA, May 2001 (Community) [ Service: SVA.023 ]
1999
“The Future of Entertainment,” Presentation with DJ Marini, North Bay Multimedia Association, San Rafael, CA, April 1999 (Community) [ Service: unable to locate documentation ]
Guest Lecturer for Art and Theater departments, Saint Cloud State University, St. Cloud, MN, February 1999 (University) [ Service: SVA.025 ]
1995
“Designing the Future,” Lecture with Ellen Poon, Stanford University, Palo Alto, CA, November 1995 (University) [ Service: SVA.026 ]
Presentation with Ellen Poon, The San Francisco Creative Alliance and Artists in Print, San Francisco, CA, Jun, 1995 (Community) [ Service: SVA.027 ]
1993
“Conceptual Design Approaches in Visual Effects,” Art Center College of Design, Pasadena, CA, 1993 (School) [ Service: SVA.028 ]
“Independent Production House Panel,” San Francisco State University, San Francisco, CA, 1993 (Community) [ Service: SVA.029 ]
“Computers and the Changing Role of Visual Effects Art Direction,” San Francisco Society of Illustrators, San Francisco, CA, 1993 (Regional) [ Service: unable to locate documentation ]
1992
Keynote for the International Council of Fine Arts Deans Conference, San Francisco State University, San Francisco, CA, 1992 (National) [ Service: SVA.31 ]
Presentation with Steve Williams. San Francisco Art Institute, San Francisco, CA, Arch 18, 1992 (School) [ Service: SVA.32 ]
Member of Art Director’s Guild, Los Angeles, CA (International) [ Service:SVA.001 ]
2018
“Solo: A Star Wars Story, Episode # 234” Audio blog post. fxguide.com. fxguide: thevfxshow, June, 2018. Web. (International) [ Service: SVA.002 ]
2016
Nohl, Lindsay, Interview. “Talking with TyRuben Ellingson” Audio Blog post. lightgreyartlab.com. Light Grey Art Lab Podcast, March 28, 2016. Web. (International) [Service: SVA.003 ] [ View online ]
“Conceptual Design in Cinema with TyRuben Ellingson, Episode 6” Audio Blog post. artprogoshow.com. Art Pro Go Show, March 9, 2016. Web. (International) [Service: SVA.004 ] [ View online ]
2015
“The Digital Character, Episode 200” Audio blog post. fxguide.com. fxguide: thevfxshow, July 2015. Web. (International) [Service: SVA.005 ] [ view online ]
2014
“Design Process and Methods.” Presentation for Legendeer Workshop, VCU Rice Center. July 13, 2014 (Regional) [ Service: SVA.006 ]
“The Secret Life of Walter Mitty, Episode 178” Audio blog post. fxguide.com. fxguide: thevfxshow, Feb 2014. Web. (International) [Service: SVA.007 ] [ View online ]
“Noah, Episode 181” Audio blog post. fxguide.com. fxguide: thevfxshow, April 2014. Web. (International) [Service: SVA.008 ] [ View online ]
2013
“Elysium, Episode 172” Audio blog post. fxguide.com. fxguide: thevfxshow, August 2013. Web. (International) [Service: SVA.009 ] [ View online ]
“Oblivion, Episode 167” Audio blog post. fxguide.com fwguide: thevfxshow, May 3 2013. Web. (International) [Service: SVA.010 ] [ View online ]
Failes, Ian. “Welcome (back) to Jurassic Park” Interview. fxguide.com, April, 2013. Web. (International) [ View online ]
“Life of Pi, Episode 161” Audio blog post. fxguide.com. fxguide: thevfxshow, January 2013. Web. (International) [Service: SVA.011 ] [ View online ]
2012
“P. Jackson’s King Kong, Episode 156” Audio blog post. fxguide.com. fxguide: thevfxshow, September 2012. Web. (International) [Service: SVA.012 ] [ View online ]
“The Dark Knight Rises, Episode 152” Audio blog post. fxguide.com. fxguide: thevfxshow, June 2012.Web. (International) [Service: SVA.013 ] [ View online ]
“Prometheus, Episode 149” Audio blog post. fxguide.com. fxguide: thevfxshow, June 2012. Web. (International) [Service: SVA.014 ] [ View online ]
“Alien and Aliens, Episode 146” Audio blog post. fxguide.com. fxguide: thevfxshow, May 2012. Web. (International) [Service: SVA.015 ] [ View online ]
2011
“The Tree of Life/Melancholia, Episode 139” Audio blog post. fxguide.com. fxguide: thevfxshow, December 2011. Web. (International) [ Service: SVA.016 ] [ View online ]
“In Time/Gattaca, Episode 136” Audio blog post. fxguide.com. fxguide: thevfxshow, November 2011. Web. (International) [ Service: SVA.017 ] [ View online ]
“The Thing, Episode 135” Audio blog post. fxguide.com. fxguide: thevfxshow, October 2011. Web. (International) [Service: SVA.018 ] [ View online ]
“The Black Swan, Episode 117” Audio blog post. fxguide.com. fxguide: thevfxshow, February 2011. Web. (International) [Service: SVA.019 ] [ View online ]
2010
“From Art School to AVATAR,” Presentation with Yuri Bartoli, Sponsored by Edgen Films, Austin, TX, August 2010 (State) [ Service: SVA.020 ]
2009
“The Evolution of Cinematic Special Effects,” Talk of the Nation, National Public Radio (NPR), December 2009 (International) [ Service: SVA.021 ] [ View online ]
2008
“Proactive Concept Design: Looking In to See Out,” Presentation at Gnomon School of Visual Effects, Hollywood, CA, June 2008 (Regional) [ Service: SVA.022 ] [ View online ]
2001
Keynote for graduation ceremony, Expression College for Digital Arts, Emeryville, CA, May 2001 (Community) [ Service: SVA.023 ]
1999
“The Future of Entertainment,” Presentation with DJ Marini, North Bay Multimedia Association, San Rafael, CA, April 1999 (Community) [ Service: unable to locate documentation ]
Guest Lecturer for Art and Theater departments, Saint Cloud State University, St. Cloud, MN, February 1999 (University) [ Service: SVA.025 ]
1995
“Designing the Future,” Lecture with Ellen Poon, Stanford University, Palo Alto, CA, November 1995 (University) [ Service: SVA.026 ]
Presentation with Ellen Poon, The San Francisco Creative Alliance and Artists in Print, San Francisco, CA, Jun, 1995 (Community) [ Service: SVA.027 ]
1993
“Conceptual Design Approaches in Visual Effects,” Art Center College of Design, Pasadena, CA, 1993 (School) [ Service: SVA.028 ]
“Independent Production House Panel,” San Francisco State University, San Francisco, CA, 1993 (Community) [ Service: SVA.029 ]
“Computers and the Changing Role of Visual Effects Art Direction,” San Francisco Society of Illustrators, San Francisco, CA, 1993 (Regional) [ Service: unable to locate documentation ]
1992
Keynote for the International Council of Fine Arts Deans Conference, San Francisco State University, San Francisco, CA, 1992 (National) [ Service: SVA.31 ]
Presentation with Steve Williams. San Francisco Art Institute, San Francisco, CA, Arch 18, 1992 (School) [ Service: SVA.32 ]
SERVICE TO COMMUNITY
2015
Judge, St Cloud Film Festival, St. Cloud, MN, 2015 (Regional) [ Service: ballots sent in – evidence unavailable ]
“Imagination: The Why Behind the Boom,” Virginia High School League Film Festival. Richmond, VA. May 29, 2015 (State) [ Service: SVB.002 ]
“Digital Tools for Making Art,” Panelist, Ravencon, Richmond, VA. April 25, 2015 (Regional) [ Service: SVB.003 ]
2014
Judge, St Cloud Film Festival, St. Cloud, MN, 2014 (Regional) [ Service: ballots sent in – evidence unavailable ]
“Creativity,” Gifted and Talented Students, Hanover County School District. Hanover, VA. April 2014 (School) [ Service: SVB.005 ]
Invitation design/Donated Print as Raffle Prize, 25th Anniversary Wrap Party - Virginia Production Alliance, Richmond, VA, January 2014 (Community) [ Service: SVB.006a, SVB.006b ]
2013
Judge, St Cloud Film Festival, St. Cloud, MN, 2013 (Regional) [ Service: ballots sent in – evidence unavailable ]
“Concept Design Career,” Richard Bland Community College, Petersburg, VA, Oct 2013 (School) [ Service: SVB.008 ]
“Art School to Avatar,” Virginia Production Alliance. Richmond, VA. September 2013 (Community) [ Service: SVB.009 ]
“Concept Design,” Art “2-D or not 2-D” Club, Arizona State University, Tempe, AZ, February 2013 (School) [ Service: SVB.010 ]
2012
Judge, St Cloud Film Festival, St. Cloud, MN, 2012 (Regional) [ Service: ballots sent in – evidence unavailable ]
“Creativity,” Keynote Speaker and Adjudicator, St. Cloud, Minnesota High Schools Juried Art Exhibit, April 2012 (Community) [ Service: SVB.012 ] [ View online ]
“Managing Dreams and Creativity in a Technological Industry,” Trilogy STEM Club, Peoria, AZ. March 2012 (Community) [ Service: SVB.013 ]
2011
“Art School to AVATAR,” Fall Tech Forum, University of Advancing Technology, Tempe, AZ, October 2011 (School) [ Service: SVB.014 ]
“Art School to AVATAR,” Saint Cloud State University, St. Cloud, MN, February 2011 (Community) [ Service: SVB.015 ]
2010
“Personal Value and the Creative Process,” Art “2-D or not 2-D” Club, Arizona State University, Tempe, AZ, November 2010 (School) [ Service: SVB.016 ]
2008
“Personal Value and the Creative Process,” Industrial Design students, Arizona State University, Tempe, AZ, October 2008 (Department) [ Service: SVB.017 ]
1999
“Creativity in the Coming Millennium,” Saint Cloud State University, St. Cloud, MN, February 1999 (Community) [ Service: SVB.018 ]
1997
“Conceptual Design in Film,” Saint Cloud State University, St. Cloud, MN, October 1997 (Community) [ Service: unable to locate documentation ]
1995
“To Create the Non-Existent,” Guadalajara Museum of Arts, Guadalajara, Jalisco, Mexico, September 1995 (International) [ Service: SVB.020 ]
“The Art of Star Wars,” Panelist. The Center for the Arts, San Francisco, CA, 1995 (State) [ Service: SVB.021a, SVB.021b ]
1993
“Design in Visions of the Future,” Art Department, Art 01 class, San Jose State University, San Jose, CA, 1993 (Department) [ Service: SVB.022 ]
“The Visual Effects of Jurassic Park,” Saint Cloud State University, St. Cloud, MN, October 1993 (Community) [ Service: SVB.023 ]
Judge, St Cloud Film Festival, St. Cloud, MN, 2015 (Regional) [ Service: ballots sent in – evidence unavailable ]
“Imagination: The Why Behind the Boom,” Virginia High School League Film Festival. Richmond, VA. May 29, 2015 (State) [ Service: SVB.002 ]
“Digital Tools for Making Art,” Panelist, Ravencon, Richmond, VA. April 25, 2015 (Regional) [ Service: SVB.003 ]
2014
Judge, St Cloud Film Festival, St. Cloud, MN, 2014 (Regional) [ Service: ballots sent in – evidence unavailable ]
“Creativity,” Gifted and Talented Students, Hanover County School District. Hanover, VA. April 2014 (School) [ Service: SVB.005 ]
Invitation design/Donated Print as Raffle Prize, 25th Anniversary Wrap Party - Virginia Production Alliance, Richmond, VA, January 2014 (Community) [ Service: SVB.006a, SVB.006b ]
2013
Judge, St Cloud Film Festival, St. Cloud, MN, 2013 (Regional) [ Service: ballots sent in – evidence unavailable ]
“Concept Design Career,” Richard Bland Community College, Petersburg, VA, Oct 2013 (School) [ Service: SVB.008 ]
“Art School to Avatar,” Virginia Production Alliance. Richmond, VA. September 2013 (Community) [ Service: SVB.009 ]
“Concept Design,” Art “2-D or not 2-D” Club, Arizona State University, Tempe, AZ, February 2013 (School) [ Service: SVB.010 ]
2012
Judge, St Cloud Film Festival, St. Cloud, MN, 2012 (Regional) [ Service: ballots sent in – evidence unavailable ]
“Creativity,” Keynote Speaker and Adjudicator, St. Cloud, Minnesota High Schools Juried Art Exhibit, April 2012 (Community) [ Service: SVB.012 ] [ View online ]
“Managing Dreams and Creativity in a Technological Industry,” Trilogy STEM Club, Peoria, AZ. March 2012 (Community) [ Service: SVB.013 ]
2011
“Art School to AVATAR,” Fall Tech Forum, University of Advancing Technology, Tempe, AZ, October 2011 (School) [ Service: SVB.014 ]
“Art School to AVATAR,” Saint Cloud State University, St. Cloud, MN, February 2011 (Community) [ Service: SVB.015 ]
2010
“Personal Value and the Creative Process,” Art “2-D or not 2-D” Club, Arizona State University, Tempe, AZ, November 2010 (School) [ Service: SVB.016 ]
2008
“Personal Value and the Creative Process,” Industrial Design students, Arizona State University, Tempe, AZ, October 2008 (Department) [ Service: SVB.017 ]
1999
“Creativity in the Coming Millennium,” Saint Cloud State University, St. Cloud, MN, February 1999 (Community) [ Service: SVB.018 ]
1997
“Conceptual Design in Film,” Saint Cloud State University, St. Cloud, MN, October 1997 (Community) [ Service: unable to locate documentation ]
1995
“To Create the Non-Existent,” Guadalajara Museum of Arts, Guadalajara, Jalisco, Mexico, September 1995 (International) [ Service: SVB.020 ]
“The Art of Star Wars,” Panelist. The Center for the Arts, San Francisco, CA, 1995 (State) [ Service: SVB.021a, SVB.021b ]
1993
“Design in Visions of the Future,” Art Department, Art 01 class, San Jose State University, San Jose, CA, 1993 (Department) [ Service: SVB.022 ]
“The Visual Effects of Jurassic Park,” Saint Cloud State University, St. Cloud, MN, October 1993 (Community) [ Service: SVB.023 ]
SERVICE TO THE UNIVERSITY
2018
Filmed and Interviewed by VCU University Relations department, March 1- 2, 2018, Max Schlickenmeyer, University Relations, can verify. (University) [ Service: SVC.001 ]
2017
Guest Lecturer, Engineering department, grad students, Henry Donahue, Professor, Oct 4, 2017. (Department) [ Service: SVC.002 ]
2015 - 17
Elected Member, University Council, President Rao, Chair (University) [ Service: SVC.003 ]
Filmed and Interviewed by VCU University Relations department, March 1- 2, 2018, Max Schlickenmeyer, University Relations, can verify. (University) [ Service: SVC.001 ]
2017
Guest Lecturer, Engineering department, grad students, Henry Donahue, Professor, Oct 4, 2017. (Department) [ Service: SVC.002 ]
2015 - 17
Elected Member, University Council, President Rao, Chair (University) [ Service: SVC.003 ]
SERVICE TO THE SCHOOL OF THE ARTS
2016-17
“Buoyant Toolset and Process Kite”, Presentation to the Production Club, a Film and Photography department student club. Jan 23, 2017. (SOTA) [ Service: SVD.001 ]
I spoke on my film industry experience related to development of the toolset and kite ideas.
Presentation to the Da Vinci Innovate – Living Learning Breakfast Club. Nov 4, 2016.(SOTA) [ Service: SVD.002 ]
I spoke about creative strategies in design, based on my experiences.
Guest Lecturer, “Piloting the Enterprise” (ARTS 351), Matt Wollman, Professor. Sept 12, 2016. (SOTA) [ Service: SVD.003 ]
2015-16
Member, Graduate Studies Committee, James Frazier, Chair (SOTA) [ Service: SVD.004 ]
Member, Big Question: Implementation of Interdisciplinary Studies degree team, Dean Seipel, Chair (SOTA) [ Service: SVD.005 ]
2014-15
Member, Big Question Implementation Team. Dean Seipel, Chair (SOTA) [ Service: SVD.006 ]
Member, Faculty Advisory Committee. Courtney Harris, Chair (SOTA) [ Service: SVD.007 ]
“Buoyant Toolset.” Presentation for INNO 501, Creative Disruption Lab. VCU, Richmond, VA. Sept. 8, 2014 (University) [ Service: SVD.008 ]
2013-14
“Art School to Avatar,” VCU Commonwealth Society. November 2013 (SOTA) [ Service: SVD.009a, SVD.009b ]
Member, Faculty Advisory Committee, Christine Gray, Chair, 2013 – 2014 (SOTA) [ Service: SVD.010 ]
Co-Chair, with Camden Whitehead, Task Force Team #4 (SOTA) [ Service: SVD.011a. SVD.011b ]
Member, Task Force Introduction Team, VCU Qatar, Doha, Qatar, Jan 2014 (SOTA) [ Service: SVD.012 ]
Judge, AFO 60x60x60 Film Festival, Oct 2013 (SOTA) [ Service: SVD.013 ]
Visual Notes Illustrator, Facilitator Marie Miyashiro. VCU Arts Dean’s Retreat, Aug 2013 (SOTA) [ Service: SVD.014 ]
“Buoyant Toolset and Process Kite”, Presentation to the Production Club, a Film and Photography department student club. Jan 23, 2017. (SOTA) [ Service: SVD.001 ]
I spoke on my film industry experience related to development of the toolset and kite ideas.
Presentation to the Da Vinci Innovate – Living Learning Breakfast Club. Nov 4, 2016.(SOTA) [ Service: SVD.002 ]
I spoke about creative strategies in design, based on my experiences.
Guest Lecturer, “Piloting the Enterprise” (ARTS 351), Matt Wollman, Professor. Sept 12, 2016. (SOTA) [ Service: SVD.003 ]
2015-16
Member, Graduate Studies Committee, James Frazier, Chair (SOTA) [ Service: SVD.004 ]
Member, Big Question: Implementation of Interdisciplinary Studies degree team, Dean Seipel, Chair (SOTA) [ Service: SVD.005 ]
2014-15
Member, Big Question Implementation Team. Dean Seipel, Chair (SOTA) [ Service: SVD.006 ]
Member, Faculty Advisory Committee. Courtney Harris, Chair (SOTA) [ Service: SVD.007 ]
“Buoyant Toolset.” Presentation for INNO 501, Creative Disruption Lab. VCU, Richmond, VA. Sept. 8, 2014 (University) [ Service: SVD.008 ]
2013-14
“Art School to Avatar,” VCU Commonwealth Society. November 2013 (SOTA) [ Service: SVD.009a, SVD.009b ]
Member, Faculty Advisory Committee, Christine Gray, Chair, 2013 – 2014 (SOTA) [ Service: SVD.010 ]
Co-Chair, with Camden Whitehead, Task Force Team #4 (SOTA) [ Service: SVD.011a. SVD.011b ]
Member, Task Force Introduction Team, VCU Qatar, Doha, Qatar, Jan 2014 (SOTA) [ Service: SVD.012 ]
Judge, AFO 60x60x60 Film Festival, Oct 2013 (SOTA) [ Service: SVD.013 ]
Visual Notes Illustrator, Facilitator Marie Miyashiro. VCU Arts Dean’s Retreat, Aug 2013 (SOTA) [ Service: SVD.014 ]
SERVICE TO DEPARTMENT OF COMMUNICATION ARTS
2017-18
Guest Lecturer, “Cut Scene” (COAR 491), Matt Wallin, Professor. Feb 27, 2018 (Department) [ Service: COAR Professor Matt Wallin may verify participation ]
2016-17
Guest lecturer, “Comic Books to Film” (COAR 391), Chris Irving, Instructor. Nov 1, 2016. (Department) [ Service: COAR Professor Christopher Irving may verify presentation re: Hellboy ]
2014-15
Chair, Communication Arts Curriculum Review Committee, 2014 – 2015 (Department) [ Service: SVE.001 ]
Member, Communication Arts Search Committee, 2014 – 2015 (Department) [ Service: SVE.002 ]
2013-14
Member, Communication Arts MFA Development team, 2013 – 2014 (Department) [ Service: SVE.003 ]
Presenter, “The Physics of Storytelling” Forum, Communication Arts Dept [ Service: SVE.004 ]
Presenter, VCUACM Siggraph, Matt Wallin, Faculty Advisor (Department) [ Service: SVE.005 ]
Guest Lecturer, “Cut Scene” (COAR 491), Matt Wallin, Professor. Feb 27, 2018 (Department) [ Service: COAR Professor Matt Wallin may verify participation ]
2016-17
Guest lecturer, “Comic Books to Film” (COAR 391), Chris Irving, Instructor. Nov 1, 2016. (Department) [ Service: COAR Professor Christopher Irving may verify presentation re: Hellboy ]
2014-15
Chair, Communication Arts Curriculum Review Committee, 2014 – 2015 (Department) [ Service: SVE.001 ]
Member, Communication Arts Search Committee, 2014 – 2015 (Department) [ Service: SVE.002 ]
2013-14
Member, Communication Arts MFA Development team, 2013 – 2014 (Department) [ Service: SVE.003 ]
Presenter, “The Physics of Storytelling” Forum, Communication Arts Dept [ Service: SVE.004 ]
Presenter, VCUACM Siggraph, Matt Wallin, Faculty Advisor (Department) [ Service: SVE.005 ]
ADMINISTRATIVE APPOINTMENTS/EXPERIENCE
2016-pres
Department Chair, Communication Arts, School of the Arts, Virginia Commonwealth University
2015-16
Interim Assistant Chair, Dept. of Communication Arts, Virginia Commonwealth University. Appointed by Chairman Robert Meganck
Responsibilities included:
Significant information on current best practices regarding the policies and procedures addressing Title IX.
Department Chair, Communication Arts, School of the Arts, Virginia Commonwealth University
2015-16
Interim Assistant Chair, Dept. of Communication Arts, Virginia Commonwealth University. Appointed by Chairman Robert Meganck
Responsibilities included:
- Coordination of NASAD review including submission of department self-study report, organization of department for NASAD visit, facilitation of on-site visit Dr. Christina Lindholm could verify level of participation on NASAD accreditation.
- Facilitation of curriculum and assessment revision process
- Assisting the chair and learning budget, staffing and other administrative responsibilities
Significant information on current best practices regarding the policies and procedures addressing Title IX.